The Honourable Company of Horners
Summons All Members to Its
19th ANNUAL MEETING
March 6 & 7, 2015
To Be Held at the
U.S. Army Heritage & Education Center
Christmas is over, but Santa Claus left every Guild member a present; however, you’ll have to come to Carlisle, Pennsylvania on March 6th & 7th to receive it. Our 19th Annual Meeting will be held at the U.S. Army Heritage & Education Center (USAHEC) and promises, once again, to be a first class gathering! What’s waiting for you are friends you haven’t seen for awhile, making new acquaintances, speaking with artisans, observe the horn work being done by the Masters and Journeymen, and finally, attending the Saturday night banquet. Yes, indeed, these two days are quite an experience.
As with past meetings, all Guild members are encouraged to dress in 18th century attire to enhance the colonial atmosphere of our gathering.
To further promote horn work, provide an educational experience, recruit new members and increase attendance, the general public will be admitted for Free with this special invitation also extended to NMLRA members.
Our Guild understands what it takes to have a first class meeting, which is comprised of three basic components: a program that meets the needs of its members, a first class facility, and a well coordinated support package. The Executive Committee and Journeyman Jim Leach (Events Coordinator) have an excellent meeting planned for you. The USAHEC facility is, without question, the very best and provides an excellent location for our Annual Meeting. Couple those two with the support package of a premier staff, unlimited support, on-site food service amenities, many excellent restaurants and nearby lodging, and we have a sound foundation for a first class Annual Guild Meeting.
Two features that sets our Guild apart from other organizations are that no other groups have a meeting format like ours and secondly, none admit the general public for free!
The meeting format will, once again, allow everyone maximum latitude in planning their daily schedule with no constraints. Here’s an overview of things to see and do. Visit the display area with tables of handmade horn artifacts and artisans to answer any questions you may have. There’s the popular Interactive Workshop that will have several work stations manned by Masters and Journeymen demonstrating all facets of horn work from basic scraping to heating and pressing, and from lathe work to intricate engraving, it’s all here – You interface directly with the Masters / Journeymen and discuss issues of specific interest to you. Don’t forget, polished and plain horns will be available for sale along with expert selection advice based upon your horn project. All this, plus, Dick Toone will again be demonstrating the use of a spring pole lathe.
To relax you can pause for a coffee break, have a breakfast snack, or just discuss the morning’s events over lunch with friends in the cafe adjoining the exhibit room. For Friday evening, Carlisle has many excellent restaurants for your dining pleasure.
Major activities include the following:
● Annual Business Meeting – that will take place Friday morning at 10:30 AM.
● NMLRA 1 of 1000 Powder Horn – Steve Vance made this year’s powder horn for the NMLRA, which will be on display throughout the Annual Meeting. It will be officially presented to the NMLRA representative during the Saturday night banquet. Steve’s powder horn is truly a work of art.
● Awards Committee – Master Horner Carl Dumke and fellow judges will be busy judging the horn competition and evaluating the horn items submitted by members desiring to advance to Journeyman or Master. The results will be announced at the banquet.
● Fundraising Raffle – Kris Polizzi, Chairwoman of the Fundraising Committee, has once again done an outstanding job. This year’s raffle features a banded powder horn, a Queen Anne style horn flask, engraved ring box, a hand woven strap, pick and brush set, horn funnel and oiler, bullet bag, and in addition, the NMLRA has donated two special gifts: a 5 year membership and a new book Flintlocks, by Eric Bye! That makes nine opportunities to win! The drawing will take place at the end of the conference on Saturday at 3:30 PM.
● Door prizes – When you register at the front desk, you are also automatically registered for the door prizes – Whoa!! The drawing will take place in conjunction with the raffle drawing.
● NMLRA – The Guild is privileged to have the National Muzzleloading Rifle Association in attendance once again. So stop by their table, courtesy of the Guild, where new members can sign up, get questions answered provide assistance.
● Saturday Night Banquet – The Saturday night festivities will begin at 6:30 PM with a social, complete with cash bar and trays of Hors D’oeuvres. The banquet will follow and take place in the adjoining room next to the exhibit hall. This year’s menu will consist of a Garden Salad with House Dressing, Roast Sliced Eye Round of Roast with Pan Sauce, Stuffed Chicken Breast topped with Supreme Sauce, Roasted Red Potatoes, Chef’s seasonal Vegetables, Buttered Green Beans cooked Southern style, Rolls and Butter, Chef’s Choice of Desserts, Iced Tea, Water and Coffee.
Following dinner there will be a very special guest speaker, awards for the horn competition will be presented and those Guild members who passed the requirements for advancement to Journeyman and Master will be announced. John Kiselica will announce the 2014 Kiselica Award winner. This annual award, which is a beautiful, solid gold powder horn pin is presented to an individual who has made a significant contribution to the Guild. The evening festivities will conclude with closing remarks by Guildmaster Dick Toone.
To make early reservations, primary lodging is available at two locations. There is a limited block of rooms at sites, so make your reservations as soon as possible and be sure to mention you’re with the “Horners’ Guild” to get the special rate.
(1) Best Western, 1155 Harrisburg Pike, Carlisle, PA 17013, phone number (717) 243-6200, rate: $69.99 per night + tax, directions: from Interstate 81, Exit 52.
(2) Days Inn, 101 Alexander Spring Road, Carlisle, PA 17013, phone number (717) 258-4147, rate: $62.00 per night + tax.
You Must Register by February 24th, 2015.
This is going to be another great annual event that you simply must attend, so register by either filling out the form below, get one off the Guild’s Website, or return the ‘dues and registration flyer’ that was mailed out in December.
See you in March!
|Conference Registration & Schedule Information|
|Thurs., March 5||noon -5:00||Display Table, Masters’ Bench Stations Set-up|
|Fri., March 6||8:00 – 10:30||Member Registration, Display and Table Set-up/Socialize|
|10:30 – 1:00||Welcome by Guildmaster / Business Meeting /Lunch|
|1:00 – 5:00||Interactive Masters’ Demonstrations / Display area open-
Both activities open to visitors & public
|5:00 – Until||Free Time / Dinner on Own|
|Sat., March 7||9:00 – 4:00||Registration
Socialize / Interactive Master’s Demonstrations / Display area open
Both activities open to visitors & public
|3:00 – 4:00||Horn Competition / Judging / Display Area Closes|
|4:00 – 4:30||Breakdown & Final Clean-up|
|6:30 – Until||Banquet in the exhibit hall / Awards, Guest Speaker|
|Sun., March 8||Sunday||Check out of hotels unless an extended stay is scheduled / Travel Home|
This is the ninth in a series of articles on those members of the Honourable Company of Horners who have achieved the status of Master Horner.
Here is an excerpt from the Horn Book article on Carl:
“Carl Dumke’s road to becoming a Master Horner has been unlike any others who have previously traveled down this path. At best, it is a difficult and arduous journey as substantiated by the fact that it has been five years since any Guild member has advanced to the level of Master Horner.”
This is a reprint from the Summer 2-13 issue of The Horn Book- A Simple Horn Press by Rex Reddick. While it may not be an oldie, it certainly is a goodie! -wec
This is a repost of the Powder Horn Display Stand article from the September 2009 issue of The Horn Book. The website had a small issue that necessitated the repost. About the article: You will see this display stand in use at numerous events. I appreciate Bob Albrecht writing such a concise article on how to build this simple stand.
This is the eighth in a series of articles on those members of the Honourable Company of Horners who have achieved the status of Master Horner.
Here is an excerpt from the Horn Book article on Joe:
“When you first meet Joe Becker, your initial impression is that he is a rather quiet, reserved individual, but the more you talk with him the more you come to the realization that he is anything but that. And once you get to know him and see his work, you realize that this quiet, reserved individual is quite an accomplished artisan who specializes in horn work and is very knowledgeable and talented in all facets.” [To read the complete article, click here...]
The following article by Byron Smith was first published in the September 1999 issue of The Horn Book. It gives some excellent insights into the horn trade which I think you will enjoy.
- Bill Carter, Editor and Journeyman Horner
The Question of Imported Horns
By Byron C. Smith
In the 26 July 1759 Pennsylvania Gazette, an advertisement appeared which announced that a diverse quantity of goods had been imported “in the last Vessels from Bristol and London.” The announcement went on to say that they would be “sold wholesale or retail, at BLANCH WHITE’S Upholstery Warehouse, the Crown and Cushion, in Front Street, near the London Coffee House, Philadelphia.” Among the listed items are things that you would expect to see in a shop called “the Crown and Cushion,” such as “Upholsterers buckrams, furniture checks, erminettas,” as well as sundry other goods related to the textile trade. It is among the listings of hardware goods that we begin to see the things you would not expect to find in an “Upholstery Warehouse.” Among the “pullies, cranks and wire” we find “brass mounted swords,” and “fence pan gun locks.” Just before a listing for “steel mounted swords gilt with gold,” the ad mentions “powder horns and flasks.”
It is this reference to horns and flasks that we will address herein. My purpose in writing this article is to raise questions and the appearance and prevalence of imported powder horns. I also wish to touch on the evidence for specialization in the field of horn work and the implications this has on our understanding of the horn trade. It should be no surprise that horn powder flasks were being imported from Europe where they were being manufactured cheaply and efficiently. Indeed, considering the manufacturing power of Britain during the third quarter of the 18th century, it should not astonish us that powder horns were being imported from Britain in 1759. Obviously there were horns being made professionally in Philadelphia at the time. Nevertheless, during the years I have been studying the subject I have not heard much discussion of the role of these imported horns would have played in the American market. In short, we should be asking what did these horns look like and how many of them are out there, mislabeled as professionally made American horns?
Since 1759 was a peak year during the French and Indian War, one would expect that many goods with military value were being imported into America. In fact, the same advertisement closes with an addendum which includes listings for “Drums and colours, halberts, spontoons, filed bedsteads, mattrasses, valances, and all kind of military accouterments and filed equipage.” The listing ends with the assertion that these items were all “ready made” and available “at the lowest prices, as in London.”
This final boast is critical to our understanding of the Colonial import market and why is was profitable for Blanch White’s Upholstery Warehouse to be selling powder horns made on the other side of the Atlantic instead of ones being made right in Philadelphia. By 1759 the Industrial Revolution had already begun in Britain. Cities like London and Bristol were filling up and would soon become over-populated with former agricultural workers who continued to leave the rural regions of England to seek urban employment as semi-skilled laborers. This influx of cheap labor combined with developments in mass production technology meant that the production of goods could be divided into sub-manufacturing trades.
For instance, according the 21 February 1747 issue of The Gentleman’s Magazine [page 101], the trade of the gunsmith in England had, by that time, already been divided into 21 different sub-trades. This high degree of specialization insured that guns were being mass produced very cheaply and efficiently in cities like London and Birmingham. These guns (the vast majority were smooth bored) were being exported to America and sold by import merchants in places like Philadelphia, Boston, or Williamsburg. It is quite possible that the same manner of specialization and cheap manufacturing methods were taking root in the horn working trades as well.
There are a few clues in the literature from that time about the advent of specialization in horn working. According to R. Campbell’s The London Tradesman (published in London, 1747), the Horner is “of Kindred to the Turner, as he turns a great many of the Articles he deals in, which are both numerous and useful.” Campbell has nothing more to say about the items the horners made, but he does add that the horner’s trade is not considered among “the most polite Trades.” He goes on to say that it is “a very useful one, for the stench of the Horn, which they sometimes manufacture with the Heat of the Fire, keeps them from the Hyp, Vapours and Lowness of Spirits, the common malady of England.” In short, it is clear that Campbell did not know much about the horner’s trade. Indeed, the health benefits were all the encouragement that Campbell could give the prospective apprentice other than to say that a journeyman horner could earn “from Twelve to Eighteen Shillings a Week.”
As for his assessment of the turner’s trade, Campbell hints that specialization was well under way by 1747. He wrote that the turners’ trade “is a very ingenious Business and brought to great Perfection in this Kingdom.” He continues that they “differ among themselves according to the materials they use; some turn Wood, others Ivory, Tortoise-Shell, &c, and others Metal, Iron, Brass, Gold or Silver.” He did not mention horn as one of the specialty materials, presumably because he saw the horner as a kind of specialized turner. His essay on turners closes with this statement: “There is an infinite Variety in their Work, and they must be learning all their Life.”
Campbell is less kind to the horn-working comb makers. He wrote that comb maker’s work “neither requires much Labour, Education or Ingenuity,” adding that “It is none of the most profitable Branches to the Master; they earn an honest Subsistence, but though their business is but in few Hands, I never heard of any of them who died remarkably rich.” He notes that a journeyman comb-maker could earn “from Twelve to Fifteen Shillings a Week.” If you recall, a journeyman horner might only expect two more shillings per week. In other words, despite the small number of active comb makers, they could not make a decent living just by making combs. It seems that most types of horners were in the same situation.
The question must be asked then, why were comb makers not diversifying? Perhaps the answer is in their trade name. Is it not possible that comb makers are specialized horner workers who, in response to a growing market, focused on one aspect of the trade? Could it be that generalist horn workers had originally claimed the comb making trade but lost it to those horners who specialized in response to a demand for mass produced cheap horn combs? If this was the case, the evidence seems to indicate that here in America, that sort of specialization was not rewarded in the limited Colonial market.
Returning to the Pennsylvania Gazette, there was at least one American comb maker who was, like many American tradesman during the Colonial era, not limiting himself to one specialty. In the 4 October 1759 Issue, Christopher Anger, “Combmaker,” advertises that he had moved his shop from “Second Street, [at] the Corner of Chestnut Street” to a new location in “Strawberry Alley, within four Doors of Samuel Howell’s Store.” Anger added that customers who visited his new location would “be supplied with all Sorts of Combs, Wholesale and Retail; Also with Powder Horns, and Punch Spoons, &c.” In other words, Anger was a horner who made powder horns, punch spoon and other horns products, but thought of himself as a “Combmaker.” There is even evidence that he considered himself as akin to a turner.
Another key advertisement appears in the 16 February 1764 issue of the Pennsylvania Gazette. It read:
“THOMAS DUNN, Turner, from London, PERFORMS all sorts of Turner’s Work in the Best Manner, in Horn, Ivory, Silver or Brass; he likewise makes Horn Flasks, Butchers Steel Handles, Needle Cases, Nutmeg graters of Horn or Ivory, Horn Pipe Stems, turns Billiard balls, Dice boxes, and Table men, Cane heads, all Sorts of Inkhorns, oval Snuff boxes, Punch ladles, Buttons, curious Flower pots for Ladies, Ivory needles for drawing Ribbons into ladies Caps, horn Tumbler, Shaving brushes, Whip handles of Horn or Wood, &c. Likewise Tortoiseshell Rings made and sold, wholesale or retail, by said Thomas Dunn, at Christopher Anger’s at the Sign of the Comb maker in Strawberry alley, Philadelphia.”
Clearly Anger and Dunn were sharing a workshop and storefront. They are clearly both horners, but Dunn as a turner was specializing at all. Unlike his fellow turners in London whom Campbell described, Dunn was not defining himself as a turner limited to working only with horn. Such specialization was the sure road to financial ruin in America, where skilled craftsmen were fewer in number and where the Industrial Revolution had yet to make inroads.
Now we can return to the imported horns being sold at Blanch White’s Upholstery warehouse, in that same year when Christopher Anger offered his American made powder horns in his shop. Without being able to see these horns and know their prices, so that we can compare them to Anger’s horns, it is impossible to draw any certain conclusions. Even so, if we can believe that the imported horns were being sold cheaper than Anger could sell his, it seems possible that Anger and his fellow American horners were offering items not available on the import market. Could it be that Anger and his fellow tradesmen were offering custom made horns, or even a new American style powder horn that was not made elsewhere? If so, what did this new American style powder horn look like and how was it different from the cheap mass produced horns coming from horn shops in London? Unfortunately I do not have those answers. I look forward to hearing from those of you who think that you might have the answers to these questions.
The following article by Tom Ames was first published in the December 1996 issue of The Horn Book. You’ll find that a lot of Tom’s feelings, attitudes and beliefs mentioned in this article are also reflected in the segment “Part II – Judging Accouterments at Dixon’s” in the Winter 2011 issue of The Horn Book. This discussion of “the inner voice” and “our quest for understanding” the true meaning of our heritage through various artifacts is always of great interest.
Our thanks to Tom for allowing the reprint of this article on the Website.
A Most Ancient Art & Mystery
by Thomas E. Ames
Often the most rewarding experiences come when we least expect them: from unexpected finds in flea markets to an all too rare horn at a good price (for the buyer, that is) at a gun show. I call these “gifts of the spirit,” almost as if the one who had lived with the relic horn or gun reaches into our subconscious to prepare us for the discovery. A few of you may know the story behind how I came to find a spout stopper that seemed to have gone with a horn purchased on a bag half an hour earlier. The original stopper with a vent pick inserted in the shaft had been lost from the original outfit. Within the hour, some miles distant, a stopper complete with pick was found.
Coincidence? No, such events occur far too often for it to be chance. How many people know the story of how Madison Grant came to reintroduce the folding Barlow pattern knife and fork pictured in The Kentucky Rifle Hunting Pouch? [plate 128, page 197] Was this an original set? Perhaps, perhaps not. But each exemplifies the character of the other and by that compliment they encourage appreciation and our quest for understanding the lives of our forebears. Such is the value of the relics they’ve left behind for us. Listen and feel of what they tell us and listen to that inner voice as you recreate them.
Such is the value of the work we leave behind as contemporary artisans following in the footsteps of our ancestral heritage. At times even the plainer examples of our labor become masterpieces by virtue of their voice to our inner being. Sometimes they radiate their own specialness beyond even the critical eye of their maker.
Bob Chattin, a well known horner in southeastern Pennsylvania and a founding member of our Company, has been active for many years at Dixon’s Gun Fair. Early on, I chose to establish a working friendship with Bob and his partner, Jeff Renninger, because they were competent craftsmen in their own right. Both Bob and Jeff worked in a traditional manner and that was all important to me. They did not need my influence beyond the critique stage. They deserved the right to develop in their own way, their own unique style.
Well, things change over the years and we became more than passing acquaintances at the Gunmakers’ Fair each year. Yes, I wanted an example of the work they exhibited and quietly waited for that special piece that would encompass a regional feeling as well as fill a void for pouch service related to a particular gun.
I found that special piece at the rifle frolic on the Henry Factory site last June: a ringed or banded horn of fine architecture, painted red, shadowing an original regional production. It would serve to balance the refined architecture of the plain rifle of the region that I use in the field.
In July, Bob Chattin approached me as I arrived at the Gunmakers’ Fair at Dixon’s and handed me a small pocket horn. On it he had engraved a likeness of the regional liberty capped figure head. He asked me to critique the likeness.
Many of you know of my long research about this particular motif so I didn’t consider Bob’s request as anything more that an honest appraisal. The first thing to strike me, however, was the well polished honey colored maple base; semi-domed, it radiated a degree of depth that struck me as a very fine attribute to the entire package. It was like looking into a clear sun lit pool of water with each layer of grain reflecting its own light. I commented to Bob briefly on the whole horn and made note of the attraction of the base treatment.
Late on Sunday afternoon, Bob brought the horn to me again and noted that perhaps I’d not seen everything the first time. As I rolled the horn around, I was pleased and honored to see a newly made inscription: “To Thos Ames, a token of respect and friendship from Robt Chattin.”
On my way homeward from Dixon’s, I stopped for dinner with the Odle family. I related the story of Bob’s presentation and handed the horn to him. Mark was drawn to the base details as we sat across the dinner table. In the restaurant’s lighting, a face appeared to radiate from deep within the base plug!
There, in the maple, was the liberty capped figure head of Tammany appearing to stare from the natural holograph. Intentional? I think not! Each fiber of wood grain picked up by the artificial lighting in the restaurant could not belie the unintended spirit behind its maker. No creative hand could have represented the spirit of Tammany any better. It was dimensional, the face reflected in the holograph of creation. The dictionary defines holograph as “a document solely in the handwriting of its author.”
When I turn the base upside down, as with any two faced grotesque, another face appears to issue from its depths – that of a wizened old man. Eyes drawn, his face lined and creased with knowledge, his mouth hidden behind a drooping mustache. I have to ask myself: who is the author of such a document? Who are we to judge the true creative spirit of another? Why do we feel we must compare the merits of one against another? What value do we place on our special gifts, be it a contemporary horn with special meaning or a relic that somehow found its way to us in a manner that defies rational explanation? And finally – Bob, did you know?
I trust we all shall find our answers as we continue to express ourselves through creative spirit and the knowledge of the phrase that so endeared itself to the crafts of old as “the ancient arts and mysteries” will be made known unto you.
The Honourable Company of Horners
Proudly Announces Its 15th Annual Meeting
March 11-12, 2011
Fort Roberdeau County Park, near Altoona, Pennsylvania
The Honourable Company of Horners will host its 2011 Annual Meeting at Fort Roberdeau, near Altoona, Pennsylvania, March 11th through the 12th and promises to be an event you don’t want to miss.
The fort played an important role in the Revolutionary War. In the spring of 1778, the struggle for independence appeared to be over. The British occupied the rebel’s capital city, Philadelphia and Washington’s army was destitute at Valley Forge. Supplies for the army were in short supply and there was little lead for bullets and musket balls. Daniel Roberdeau, a member of the Continental Congress meeting in York since the capture of Philadelphia, became aware of lead mines in central Pennsylvania. He volunteered to organize an expedition to the mines to see if it was possible to obtain a supply of lead. At his own expense, Roberdeau built a stockade to protect the lead mining and smelting. The fort became a storage depot for ordnance, ammunition, and other supplies until 1780, and was garrisoned by militia of Cumberland and Bedford Counties and the Bedford County Ranging Companies. Settlers often found safety at Fort Roberdeau during times of raids by parties of British rangers and their Indian allies.
One attribute our Guild has always espoused is that we have never sought out the norm, never been reluctant to do things differently, but instead have always done what was in the best interest of our organization and never hesitated to be different. This year’s meeting clearly reflects that practice, as it will indeed be completely different from any organizational meeting that you will ever attend. All Guild members are highly encouraged to attend, for it will indeed be different, be new, be innovative, and promises to be one of the most complete learning experiences you’ll ever enjoy! Spouses are welcome as well (no extra charge), so come join us for our annual meeting that you will surely find different, rewarding and one of the best educational experiences you’ve ever had! Hats off to our Guildmaster, Ed Long, for the establishment a new format and to Art DeCamp and Roland Cadle for making sure the guidance becomes a reality!
Just a few examples to back up that statement: All Guild members are encouraged to dress in the 18th and early 19th Century attire both days, when you register you are automatically eligible to win a commemorative engraved powder horn, there are no seminars scheduled, and the focus of the meeting is the Masters’ Benches. There will be eight interactive stations manned by Master Horners demonstrating varied aspects of horn working to include horn selection and preparation, heating and pressing, engraving, techniques of spout design, engrailing and carving, combining metal and horn, making applied and screw tips, staining, turning and proper procedures for sharpening tools. So whether you’re a collector, history buff, beginner or advanced horn worker, there will be plenty to learn and at your own pace! This schedule has been designed to allow everyone to interact directly with the Masters and discuss issues of specific interest to you. Bring your cameras, notebooks and plenty of questions. If you think you know it all, the challenge is to come and find out.
Other activities include the Hartley Book signing, the annual business meeting which will take place Friday morning, horn judging, Saturday night banquet, fund raising raffle, and of course, a wide array of display tables for all to peruse. Of particular interest to all Guild members will be a large collection of original screw tip horns.
From Bedford, PA head north on I-99 for 33.2 miles, take Exit 33 for .6 miles and turn right on 17th Street. Go .6 miles and turn right on Valley View Blvd/US 220-BR N for 1.6 miles. Turn right onto S. Kettle St. which will become Kettle Rd. following it for 8.4 miles. Turn left onto Ft. Roberdeau Rd. and go .4 miles and you will be at the Fort Roberdeau Historic Site. Their address is 383 Fort Roberdeau Rd, Altoona, PA 16601-8321.
Conference Registration & Schedule Information
|3:00-5:00||Display Table, Masters’ Bench Stations Set-up|
|8:00 – 9:00||Members’ Registration, Display and Table Set-up|
|9:00 – 10:30||Registration / Socialize|
|10:30 – 12:00||Welcome by Guildmaster / Business Meeting|
|12:00- 1:00||Open to Visitors and Public / (Paid Attendees-Lunch)|
|1:00 – 4:30||Interactive Masters’ Demonstrations at Farm House / Open to Visitors and Public|
|5:30 – Until||Wine & Cheese Reception at Village RestorationsOffice & Training Center in Frankstown, PA|
|Free Time / Dinner on own|
|8:00 – 9:00||Registration / Socialize|
|9:00 – 12:00||Demonstrations, Open to Visitors and Public till 4:30 PM|
|1:00 - 2:00||Lunch|
|1:00 – 3:30||Interactive Masters’ Demonstrations at Farm House / Display tables open|
|3:30 – 4:30||Horn Competition / Judging / Display Area Closes|
|4:30 – 5:30||Breakdown & Final Clean-up|
|6:00 – Until||
**Banquet at Liberty Hall, U.S. Hotel, 401 S. Juniata St., Hollidaysburg, PA / Awards and Raffle
|Check Out||Check out of hotels unless you have scheduled an extended stay / Travel Home|
For your convenience, coffee will be provided on site in the mornings with sandwiches and drinks at lunch time for both days. This will help you to fully maximize and better schedule your time.
It is requested that you forward your registration form, along with payment, to Art DeCamp no later than March 4th, 2011. This will greatly assist our organizers and expedite registration. If you have already registered for the annual meeting for the other location, you do not have to register again.
Click here to print out the itinerary.
If you have any questions concerning our annual meeting or would like more historical information on the site, please contact Art DeCamp at (814) 643-6343 / e-mail at: email@example.com, or Roland Cadle at (814) 695-7951 / e-mail at: firstname.lastname@example.org.
For those wanting to make early reservations, there are several options available. Primary lodging is with Comfort Suites Altoona, 140 Stroehman Rd, Altoona, PA, phone number (814) 942-2600. Cost is $89 + tax per night. There are a limited number of rooms in this block, so reserve early and be sure to mention you’re with the Horners’ Guild to get the special rate. Other lodging in the area includes: Super 8 Altoona, (814) 942-5350, www.super8.com, approx rate $49 per night / Econo Lodge Altoona, (814) 944-3555, www.econolodge.com, approx rate $54 per night / Holiday Inn Express Altoona, (814) 944-9661, www.altoonaexpress.com, rates from about $118 per night / Arch Spring Farm B&B, (800) 262-2655, www.restandrepast.com.
For additional B&B’s you may also Google Bed & Breakfasts in Altoona, Tryone, and Spruce Creek, PA areas.
Please continue to monitor our website for up to date information on the annual meeting, banquet and lodging facilities.
Here is an excerpt from the Horn Book article on John :
“The person in question is John Kiselica and fortunately he is one of those unique individuals that defy all human traits of normalcy. Although I will expound more on this later, in a nutshell John is a highly talented jeweler who designs, produces, repairs and restores intricate pieces of jewelry during the day, then at night teaches gunsmithing courses at the local community college, and in his spare time likes to attend muzzleloading events.” [To read the complete article, click here...]